It is also a suitable time to hear their ideas about the character’s costume, as they are the ones who need to feel comfortable in it and can provide valuable insight about the role. Reassure them that the information will remain private and prioritise their comfort throughout.

Taking measurements and disclosing personal information can be an uncomfortable situation for an actor, so it is incredibly important to make them feel safe and happy with this process. Some actors might have their own measurements already done, but if not, we will need to gather these, along with any allergies, tattoos, piercings, or other physical things. Next, we need to get measurements from the cast. Pay attention to the details, particularly at entrances and exits, where the character might put on a hat or remove a coat, as you will need these even if they are only on stage briefly. This means reading through, cataloguing each character and any potential costume changes. Being flexible and responsive to the needs of the show is incredibly important here.įirst, we need to break down the script. As a result, this is a timeline of some of the duties of the wardrobe department throughout a production. A production set in Victorian England may require more construction and research than a show set in the modern day, which may be more about sourcing and distressing costumes. As with roles, the duties of the wardrobe department vary based on the design of the show, cast size, budget, and more.

Costume plot template